{"id":9689,"date":"2006-01-08T22:01:19","date_gmt":"2006-01-08T11:01:19","guid":{"rendered":"http:\/\/stuartbuchanan.com\/hello-world-2\/"},"modified":"2021-01-31T05:13:22","modified_gmt":"2021-01-31T05:13:22","slug":"hello-world-2","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2006\/01\/08\/hello-world-2\/","title":{"rendered":"baltimore club"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"204\" border=\"1\" alt=\"spankrock\" id=\"image3\" src=\"http:\/\/www.fatplanet.com.au\/blog\/wp-content\/uploads\/2006\/01\/spank-voila.jpg\" \/><br \/>\nlet&#8217;s talk <strong>baltimore<\/strong>. rather than trying to reinvent the wheel, here&#8217;s what <span style=\"font-style: italic\">wikipedia<\/span> says about &#8216;baltimore club&#8217;:<br \/>\n&#8220;Baltimore Club, also called Baltimore Breaks, Baltimore house, and Dew Doo Beat, is a genre of House and Dance music. A blend of Hip-Hop and Electronica, it was created in Baltimore, Maryland in the early 1990s by <span style=\"font-weight: bold\">Scottie B<\/span>., <span style=\"font-weight: bold\">Frankski<\/span>, <span style=\"font-weight: bold\">Miss Tony<\/span> and <span style=\"font-weight: bold\">DJ Spen<\/span> and has since been performed by artists such as <span style=\"font-weight: bold\">Rod Lee<\/span> and <span style=\"font-weight: bold\">D.J.Technics<\/span>.<br \/>\n&#8220;Baltimore Club is exemplified by its 8\/4 beat structure and tempos at or near 130 beats per minute. It combines repetetive looped vocal snippets similar to ghetto house with humorous vocal samples &#8230; Much like the rave-era sub-genre of Techno music known as Breakbeat Hardcore, Baltimore Club sounds as if the music was purposefully produced in a hurried manner as the each song is made with a limited pallette of sounds and is based on a similar templates. Some say Baltimore Breaks grew out of Miami Bass, largely due to <span style=\"font-weight: bold\">Frankski<\/span> working with Luke Skyywalker Records in the early 1990s, remixing songs such as <span style=\"font-weight: bold\">Disco Rick<\/span>&#8216;s Wiggle Wiggle in 1992. &#8230; Despite its roots nearer to Miami Bass, the sound of the music itself more closely resembles Ghetto House.<br \/>\n&#8220;Baltimore Club has long been popular in Baltimore, largely in African-American venues where DJs spin exclusively Baltimore Club, but has recently spread beyond the city&#8217;s borders to Philadelphia and New York City and inspired offshoots in New Jersey (<span style=\"font-weight: bold\">D.J.Tamiel<\/span>) and Alabama (<span style=\"font-weight: bold\">Bamabounce<\/span>). This expansion is due largely to the success and influence of the DJ duo <span style=\"font-weight: bold\">Hollertronix<\/span>, who present Baltimore Club in conjunction with hip-hop, rock, and other dance music.&#8221;<br \/>\nso there you go &#8211; if you disagree with any of the above, i recommend editing the <a target=\"_blank\" href=\"http:\/\/en.wikipedia.org\/wiki\/Baltimore_Club\" rel=\"noopener noreferrer\">article<\/a> (such is the joy of wikipedia). as it says, things have started to move recently in the baltimore club scene. there is, as one of the main protagonists <strong>spankrock<\/strong> describes it, &#8220;a second generation&#8221; of baltimore club producers coming through. with many of his recent mixes, <strong>diplo<\/strong> is proving to be a key figure, alongside those working under the collective title of <strong>baltimore bass connection <\/strong>&#8211; the aforementioned <strong>spankrock<\/strong>, <strong>chipset<\/strong>, <strong>c.rockswell<\/strong>, <strong>xxx-change<\/strong> and more. i could add <strong>low-budget<\/strong> and <strong>dj ayres<\/strong> in there too, both of whom have recently dropped b-more productions. i&#8217;ve also been getting into 19-y-o <strong>curtis vodka<\/strong>&#8216;s mixes as found on the hollertronix forum (one of the main homes for discussion \/ file sharing of b-more, baile funk and other such great music).<br \/>\nafter releasing his &#8216;viola&#8217; mix cd and his &#8216;put the pussy on me&#8217; 12&#8243; double set on money studies, <strong>spankrock<\/strong> was recently signed to big dada. his debut release backyard betty&#8217; is an incredible calling card for this scene &#8211; dark, deep, sparse, smart and more bass than your ass can handle. another great tune that i&#8217;ve been dropping this season is <strong>diplo<\/strong>&#8216;s remix of <strong>ray charles<\/strong>&#8216; &#8216;i got a woman&#8217; &#8211; destined to be a party favourite for a long time to come. and &#8211; lucky you &#8211; it also kicks off our mp3 treats for this week:<br \/>\n<a href=\"http:\/\/formdiplo.com\/gold%20digger%20remix.mp3\">RAY CHARLES i got a woman (diplo remix)<\/a><br \/>\n<a href=\"http:\/\/formdiplo.com\/02%20shut%20your%20mouth.mp3\">3RD BASS shut your mouth (diplo remix) <\/a><br \/>\n<a href=\"http:\/\/www.bigdada.com\/Put_That_Pussy_On_Me.mp3\">SPANK ROCK put that pussy on me <\/a><br \/>\n<a href=\"http:\/\/www.spankrock.net\/mp3s\/rick%20rubin%20snippet.mp3\">SPANKROCK rick rubin (snippet) <\/a><br \/>\n<a href=\"http:\/\/www.spankrock.net\/mp3s\/whatitlooklike%20snippet.mp3\">SPANKROCK what i look like (snippet) <\/a><br \/>\n<a href=\"http:\/\/www.low-bee.com\/sounds\/callitmurder.mp3\">LOW-BUDGET call it murder (rmx of damian marley&#8217;s                      &#8216;welcome to jamrock&#8217;)<\/a><br \/>\n<a href=\"http:\/\/djayres.com\/MP3\/DJ%20Ayres%20-%20Broke%20Ass%20Home.mp3\">DJ                      AYRES broke ass home (baltimore club)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>let&#8217;s talk baltimore. rather than trying to reinvent the wheel, here&#8217;s what wikipedia says about &#8216;baltimore club&#8217;: &#8220;Baltimore Club, also called Baltimore Breaks, Baltimore house, and Dew Doo Beat, is a genre of House and Dance music. A blend of Hip-Hop and Electronica, it was created in Baltimore, Maryland in the early 1990s by Scottie [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[444],"tags":[471,551,716,735,445,1045,1370],"class_list":["post-9689","post","type-post","status-publish","format-standard","hentry","category-fat-planet","tag-3rdbass","tag-baltimore","tag-diplo","tag-djayres","tag-fat-planet-blog","tag-lowbudget","tag-spankrock","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/9689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=9689"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/9689\/revisions"}],"predecessor-version":[{"id":15615,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/9689\/revisions\/15615"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=9689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=9689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=9689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}