{"id":7248,"date":"2016-09-02T09:09:24","date_gmt":"2016-09-01T23:09:24","guid":{"rendered":"http:\/\/stuartbuchanan.com\/?p=7248"},"modified":"2021-01-30T23:08:03","modified_gmt":"2021-01-30T23:08:03","slug":"out-from-under-23-scattered-order-m-squared-part-i","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2016\/09\/02\/out-from-under-23-scattered-order-m-squared-part-i\/","title":{"rendered":"Out From Under #23 – Scattered Order & M-Squared (Part I)"},"content":{"rendered":"

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\nWhilst the legacies of post-punk, DIY electronics and proto industrial are widely known and documented in the UK and US scenes, their impact in an Australian context is less widely recognised. Bonding over the discovery of Cabaret Voltaire<\/strong> imports in Sydney record stores, Scattered Order<\/strong> formed in 1979 and gorged on a wide range of inputs to create a sound and visual aesthetic that was unique in Australia at the time. Together they also formed the label M Squared<\/strong> and fostered an impressive roster of bands such as Makers Of The Dead Travel Fast<\/strong>, Systematics<\/strong> and Ya Ya Chora<\/strong>l.
\nIn Part\u00a0I of a two-part interview, I\u00a0talk\u00a0to Scattered Order\u2019s Mitchell Jones about the early years of the band and the formation and impact of the M-Squared label throughout the late Seventies and early Eighties.<\/p>\n