{"id":683,"date":"2016-05-28T14:23:26","date_gmt":"2016-05-28T04:23:26","guid":{"rendered":"http:\/\/www.provenancerecords.com\/?p=683"},"modified":"2021-01-31T05:03:47","modified_gmt":"2021-01-31T05:03:47","slug":"pr002-paneye-desertism","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2016\/05\/28\/pr002-paneye-desertism\/","title":{"rendered":"PR002: Paneye &#8211; Desertism"},"content":{"rendered":"<p><strong>Provenance nudges Paneye gently in the light with the release of his sixth full length, \u2018<em>Desertism<\/em>\u2019. <\/strong><\/p>\n<p>[dotted1]<\/p>\n<div><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/257042638&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/div>\n<p>[dotted1]<\/p>\n<p><em>&#8220;What\u2019s showcased here is nothing short of what I was hoping for: a blending of acoustics, ambient and lo-fi all stirred smoothly together &#8230; with each Paneye release, the sound and style matures and evolves &#8230; stunning to hear&#8221;<\/em> Tuning Into The Obscure<\/p>\n<p>[dotted1]<\/p>\n<p><strong>Paneye<\/strong> is Sydney-born and Dubai-based artist Will Treffry. Not that you would know it. Paneye has been making music on the outside for several years, self-releasing five lengthy albums of material direct from his own web site &#8211; a micro world inhabited by people that Paneye calls \u2018The Butter People\u2019.\u00a0 He is beloved by small, personal music blogs &#8211; writers who, like Paneye, exist in the shadows, on the fringe, and find solace and connection in his works.<\/p>\n<p>Unbeknown to the world at large, Paneye has also racked up over 150,000 streams and downloads on the <em>Free Music Archive<\/em>; predominantly for his 27-track 2010 opus \u2018Lost In A Dark Aquarium\u2019 &#8211; co-released by <em>New Weird Australia<\/em> and Brooklyn\u2019s <em>Orchid Tapes<\/em>, home to <strong>Balam Acab<\/strong> and <strong>Alex G<\/strong>. He has also released a further three albums in collaboration with Jasper Rice under the banner of <strong>Bristles On The Carapace<\/strong>.<\/p>\n<p>Provenance nudges Paneye gently in the light with the release of his sixth full length, \u2018<em>Desertism<\/em>\u2019. Recorded entirely in Dubai, the album represents an evolution of his work from lo-fi ambient constructions to a more structured song-based psych-folk approach, whilst retaining his customary dream-like shroud\u00a0 &#8211; bringing his own voice to the fore and recruiting secondary vocals from a conspirator known only as Khat.<\/p>\n<p>\u2018<em>Desertism<\/em>\u2019 may well be a tentative step out of the shadows, and it often plays like a reconnaissance mission to another world &#8211; either way, it\u2019s a bewitching, original work that represents the legion of outsider artists who resolutely follow a singular path, and end up at a beautiful place quite unlike any other.<\/p>\n<p>[dotted1]<\/p>\n<p>[highlight color=&#8221;silver&#8221;]TRACKLISTING[\/highlight]<br \/>\n1. Desertism<br \/>\n2. Eyelid Temples<br \/>\n3. I Stumbled Upon Her Ruins<br \/>\n4. Decayed Windforms<br \/>\n5. Watched By Every Gloom<br \/>\n6. Passports To Overcast Islands<br \/>\n7. Visited By Murky Windings<br \/>\n8. Disfigured Fortune<br \/>\n9. Calm Eternity<br \/>\n10. Heed The Cycling Idleness<br \/>\n11. Empty Boats And The Vortex<br \/>\n12. Fragile Awe<\/p>\n<p>[dotted1]<\/p>\n<p>[highlight color=&#8221;silver&#8221;]CREDITS[\/highlight]<br \/>\n<strong>Recorded at Jumeirah Lakes Towers, Dubai in 2015.<br \/>\n<\/strong><strong>Art, music, words, vocals by Will Treffry. Second vocalist is Khat.<\/strong><\/p>\n<p>[dotted1]<\/p>\n<p>[highlight color=&#8221;silver&#8221;]CASSETTE[\/highlight]<br \/>\n[button link=&#8221;https:\/\/provenance.bandcamp.com&#8221; color=&#8221;salmon&#8221;]Bandcamp[\/button] [button link=&#8221;https:\/\/provenance.greedbag.com&#8221; color=&#8221;salmon&#8221;]Greedbag[\/button]<\/p>\n<p>[dotted1]<\/p>\n<p>[highlight color=&#8221;silver&#8221;]DIGITAL[\/highlight]<br \/>\n[button link=&#8221;https:\/\/provenance.bandcamp.com&#8221; color=&#8221;salmon&#8221;]Bandcamp[\/button] [button link=&#8221;http:\/\/apple.co\/2eFVXpQ&#8221; color=&#8221;salmon&#8221;]iTunes[\/button] [button link=&#8221;https:\/\/play.google.com\/store\/music\/album\/Paneye_Desertism?id=Blx7vsyibz34dohpdk5tstv2yra&amp;hl=en&#8221; color=&#8221;salmon&#8221;]Google Play[\/button] [button link=&#8221;http:\/\/www.junodownload.com\/products\/paneye-desertism\/3161706-02\/&#8221; color=&#8221;salmon&#8221;]Juno[\/button]\u00a0\u00a0[button link=&#8221;https:\/\/open.spotify.com\/album\/3iW4FHLe6Zdi0NimpXA1UJ&#8221; color=&#8221;salmon&#8221;]Spotify[\/button]<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Provenance nudges Paneye gently in the light with the release of his sixth full length, \u2018Desertism\u2019. [dotted1] [dotted1] &#8220;What\u2019s showcased here is nothing short of what I was hoping for: a blending of acoustics, ambient and lo-fi all stirred smoothly together &#8230; with each Paneye release, the sound and style matures and evolves &#8230; stunning [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[456],"tags":[1207,1609],"class_list":["post-683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-provenance","tag-paneye","tag-provenance-website","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=683"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/683\/revisions"}],"predecessor-version":[{"id":15233,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/683\/revisions\/15233"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media\/14785"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}