{"id":6557,"date":"2009-05-16T12:16:43","date_gmt":"2009-05-16T12:16:43","guid":{"rendered":"http:\/\/stuartbuchanan.com\/slang-tang-podcast-interview-special-fever-ray\/"},"modified":"2021-01-31T05:28:34","modified_gmt":"2021-01-31T05:28:34","slug":"podcast-fever-ray","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2009\/05\/16\/podcast-fever-ray\/","title":{"rendered":"Podcast &#8211; Fever Ray Interview"},"content":{"rendered":"\n<hr \/>\n<p>Following the release of their critically acclaimed and award-winning album &#8216;Silent Shout&#8217;, Swedish dark-electro duo <strong>The Knife <\/strong>took time out to pursue their own individual projects. Olaf Dreijer worked on an original soundtrack for the opera \u2018Tomorrow In A Year\u2019 by Danish performance group <strong>Hotel Pro Forma<\/strong>. His sister, <strong>Karin Dreijer Andersson<\/strong>, opted instead for a solo album, under the name <strong>Fever Ray<\/strong>. Whilst occupying similar sonic territories to The Knife, &#8216;Fever Ray&#8217; introduced a personal and intimate side to Karin that was hitherto unseen.<br \/>\nOver the phone from her home in Sweden, Karin talked to me for my FBi program <em>Disorient<\/em>\u00a0and discussed the genesis of the Fever Ray project, her continuing exploration of electronic music and the impact of motherhood on her creative work. The original broadcast interview was extended and released here as part of my Slang Tang podcast series.<\/p>\n<div><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fstuartbuchanan%2Fslang-tang-podcast-fever-ray%2F&amp;hide_cover=1&amp;light=1\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/div>\n<p>&nbsp;<br \/>\n<em>Originally broadcast on Disorient,\u00a0<a href=\"http:\/\/www.fbiradio.com\" target=\"_blank\" rel=\"noopener noreferrer\">FBi Radio<\/a>, May 2009.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this Interview Edition of the Slang Tang podcast series, Karin Dreijer Andersson discusses her continuing exploration of electronic music and the impact of motherhood on her creative work.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[455,459],"tags":[145,1359],"class_list":["post-6557","post","type-post","status-publish","format-standard","hentry","category-podcasts","category-slang-tang","tag-fever-ray","tag-slang-tang","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/6557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=6557"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/6557\/revisions"}],"predecessor-version":[{"id":15824,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/6557\/revisions\/15824"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=6557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=6557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=6557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}