{"id":51,"date":"2005-08-29T08:16:12","date_gmt":"2005-08-28T21:16:12","guid":{"rendered":"http:\/\/www.fatplanet.com.au\/blog\/2005\/08\/29\/rozmarinke-the-stroj\/"},"modified":"2021-01-31T05:13:23","modified_gmt":"2021-01-31T05:13:23","slug":"rozmarinke-the-stroj","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2005\/08\/29\/rozmarinke-the-stroj\/","title":{"rendered":"ROZMARINKE, THE STROJ"},"content":{"rendered":"<p><img decoding=\"async\" width=\"200\" border=\"1\" alt=\"transslov\" id=\"image50\" src=\"http:\/\/www.fatplanet.com.au\/blog\/wp-content\/uploads\/2006\/01\/trans-slovenia.jpg\" \/><br \/>\ngermany&#8217;s <strong>kraftwerk<\/strong> have been re-interpreted, remixed and re-imagined  many times over &#8211; the net result of which is that their legend grows ever larger,  thanks to the many artists and writers who consider them to be such a profound  influence. the band themselves however have done very little in the last 20 years  to propell their story forward &#8211; every release since 1986&#8217;s &#8216;electric cafe&#8217; has  been a remix \/ re-tread \/ live set, sufficient enough to preserve their place  in history without any substantial revisions. the latest addition to the cover  version canon is mute records&#8217; &#8216;trans slovenia express vol.2&#8217;, released eleven  years after the first volume and covering the same philosophical terrain. <strong>kraftwerk<\/strong>  once described their sound as &#8216;industrial folk music&#8217; (or &#8220;industrielle volksmusik&#8221;)  , so it does seem strangely fitting that slovenian artists &#8211; mining traditions  of indigenous folk music and an economy based on heavy industry &#8211; should choose  this particular route with which to thrust themselves onto the world stage. the  collection is diverse &#8211; from <strong>laibach<\/strong>&#8216;s loose interpretation of  the project (i.e. &#8216;the imaginary sound of <strong>kraftwerk<\/strong> remixing  a <strong>laibach<\/strong> track&#8217;) to the foolhardy &#8211; <strong>iturk<\/strong> rounding  the album off with some very poor 4-4. sandwiched between them however are a few  gems &#8211; <strong>silence<\/strong>&#8216;s &#8216;hall of mirrors&#8217; featuring <strong>anne clark<\/strong>,  <strong>torul<\/strong>&#8216;s &#8216;it&#8217;s more fun to compute&#8217; and <strong>octex<\/strong>&#8216;s  &#8216;telephone call&#8217;. the two stand-outs however are &#8216;radioactivity&#8217; by the string  quartet <strong>rozmarinke<\/strong> (featuring the vocalist from <strong>silence<\/strong>)  and <strong>the stroj<\/strong>&#8216;s &#8216;metal on metal&#8217;. a visit to their respective  web sites unearthed the following tracks. for more info on &#8216;trans slovenia express  vol.2&#8217; and to hear sound samples, go to <a target=\"_blank\" href=\"http:\/\/www.mute.com\/releases\/viewRelease.jsp?id=1701242\" rel=\"noopener noreferrer\">mute.com<\/a>.<br \/>\n<strong>ROZMARINKE<\/strong> [SLOVENIA]<br \/>\n<a href=\"http:\/\/www.rozmarinke.com\/glasba\/Klise.mp3\">klise<\/a><br \/>\nthink of contemporary all-girl string quartets and the sad unfortunate truth is  that <strong>bond<\/strong> springs to mind. an ugly thought, i know. fortunately  <strong>rozmarinke<\/strong> (&#8216;the rosemaries&#8217;) seem to be operating in a dimension  entirely removed from such audio detritus. founded in 1994, they&#8217;ve forged a strong  resume of chamber performances, interspersed with collaborations with slovenia&#8217;s  contemporary artists such as <strong>silence<\/strong>, <strong>pax<\/strong> and  <strong>zaklonis ce prepeva<\/strong>. their extensive work with <strong>silence<\/strong>  has almost eclipsed their own release schedule; the strange fly in their otherwise  impeccable collaborative ointment being their attempted entry into the eurovision  song contest in 2004 with a <strong>silence<\/strong>-penned instrumental track  called &#8216;clich&#8730;\u00a9&#8217;. sadly, they came second in the slovenian heats, so the  rest of the world missed out on seeing that particular nugget. perhaps it was  the for the best&#8230; [<a target=\"_blank\" href=\"http:\/\/www.rozmarinke.com\/\" rel=\"noopener noreferrer\">rozmarinke.com<\/a>]<br \/>\n<strong>THE STROJ<\/strong> [SLOVENIA]<br \/>\n<a href=\"http:\/\/www.thestroj.si\/SongsAlbum\/TheSTROJ_GREMO!_TRANSSIBIRIA720.mp3\">transsibiria  720 <\/a><br \/>\n<a href=\"http:\/\/www.thestroj.si\/SongsAlbum\/TheSTROJ_GREMO!_KUNG_FU.mp3\">kung fu  <\/a><br \/>\nhopefully you&#8217;re familiar with<strong> test dept<\/strong>, because it will make  this lazy comparison a lot easier. scottish performance group <strong>test dept<\/strong>  made a substantially loud name for themselves in the 1980s &#8211; welding metallic  percussion performance to large scale theatre pieces, the result of which will  remain a high-point in scottish art for some time to come. years later, enter  <strong>the stroj<\/strong> (pronounced &#8216;stroy&#8217;) &#8211; manhandling much the same concept,  albeit married with a love of pryotechnics. combined they describe themselves  in the third person as an &#8216;audio rythmical machine&#8217;, their performances are &#8216;urban  rituals&#8217; and they &#8216;call for the listener&#8217;s motoric action&#8217;. wait, there&#8217;s more:  &#8220;the sounds produced through the machine by the tribe members&#8217; bodily energy  should be listened to with whole body, while cyclic structures transfer you into  the sound-landscape of trance and ecstasy&#8221;. good luck with those mp3s people,  see you in the garden for the comedown. [<a target=\"_blank\" href=\"http:\/\/www.thestroj.si\" rel=\"noopener noreferrer\">thestroj.com<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>germany&#8217;s kraftwerk have been re-interpreted, remixed and re-imagined many times over &#8211; the net result of which is that their legend grows ever larger, thanks to the many artists and writers who consider them to be such a profound influence. the band themselves however have done very little in the last 20 years to propell [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[444],"tags":[445],"class_list":["post-51","post","type-post","status-publish","format-standard","hentry","category-fat-planet","tag-fat-planet-blog","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"predecessor-version":[{"id":15585,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/51\/revisions\/15585"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}