{"id":240,"date":"2009-01-12T09:33:04","date_gmt":"2009-01-11T22:33:04","guid":{"rendered":"http:\/\/discontentblog.com\/?p=240"},"modified":"2021-01-31T22:48:04","modified_gmt":"2021-01-31T22:48:04","slug":"mi-ami-african-rhythms","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2009\/01\/12\/mi-ami-african-rhythms\/","title":{"rendered":"Mi Ami | African Rhythms"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/discontentblog.files.wordpress.com\/2009\/01\/35d58265-9c95-4464-9d89-b7888f3f852c1.jpg\" alt=\"35D58265-9C95-4464-9D89-B7888F3F852C.jpg\" border=\"0\" width=\"500\" height=\"338\" \/><\/p>\n<p><strong>Mi Ami<\/strong>&#8216;s &#8216;African Rhythms&#8217; cropped up defiantly in the recent <a href=\"http:\/\/www.fatplanet.com.au\/blog\/?cat=2\">Fat Planet end-of-year show<\/a> &#8211; defiant against the fact that the other 40+ records were all from outside the Anglo American axis, whereas the Mi Ami trio root themselves firmly in San Francisco.  &#8216;African Rhythms&#8217; was, however, the record I&#8217;d been waiting to hear for a very long time: with a considered nod to its source material, the track launches almost immediately into a tight tom percussive riff accompanied by cacophonous, unapologetic wailing.  Just when you think you have it all figured out, <a href=\"http:\/\/www.myspace.com\/miamiamiami\">Mi Ami<\/a> drop a sprawling, frenetic deposit of guitar-driven noise over the top; spreading a secondary layer of disorientating substances over something that&#8217;s already alarmingly potent.<\/p>\n<p>Daniel Martin-McCormick and Jacob Long come to Mi Ami from Washington punk band <strong>Black Eyes<\/strong>, joined by drummer Damon Palermo.  Certainly, the punk aesthetic is alive and kicking herein, but spun into less familiar, less over-wrought territory.  Official propaganda even goes so far as to cite dance, dub and disco as touch-stones.  Shortly after hearing &#8216;African Rhythms&#8217;, and thrashing the hell out of it whenever I had the chance, I sent off for a Mi Ami remix CD-R that, since then, sadly seems to have disappeared from web view.  It&#8217;s a sensational collection of lopsided, off-kilter versions and one that does indeed factor the dance-floor into its world view.<\/p>\n<p>Two official releases drop in the next short while from the trio on <a href=\"http:\/\/www.touchandgorecords.com\/bands\/band.php?id=116\">Quarterstick \/ Touch &amp; Go Records<\/a>: a single &#8216;Echonoecho&#8217; (Jan 27th) and the debut album &#8216;Watersports&#8217; (Feb 17th).  They&#8217;ve also just remixed <strong>Telepathe<\/strong> for their latest <a href=\"http:\/\/merok.bigcartel.com\/product\/telepathe-devils-trident-the-remixes-12-pre-order\">&#8216;Devil&#8217;s Trident&#8217; release on Merok<\/a>.  That said, live on stage feels like the best place to witness Mi Ami in their purest form. With a full dance card of American dates and a planned Euro-tour in the offing, participation is wholeheartedly encouraged.<\/p>\n<p><strong>Mi Ami &#8211; African Rhythms<\/strong> | <a href=\"http:\/\/www.dustedmagazine.com\/media\/features\/destined\/mi_ami.mp3\">mp3<\/a> <em>(via <a href=\"http:\/\/www.dustedmagazine.com\/features\/706\">Dusted<\/a>)<\/em><\/p>\n<p>See also the <a href=\"http:\/\/meatskull.wordpress.com\/2008\/12\/20\/ones-twos-mi-ami\/#comment-129\">Mi Ami mixtape, &#8216;Ones &amp; Twos&#8217;<\/a> <em>(via Meatskull)<\/em>.<\/p>\n<p><strong>img<\/strong> | <a href=\"http:\/\/www.flickr.com\/photos\/thekidsmakeout\/\">thekidsmakeout<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mi Ami&#8216;s &#8216;African Rhythms&#8217; cropped up defiantly in the recent Fat Planet end-of-year show &#8211; defiant against the fact that the other 40+ records were all from outside the Anglo American axis, whereas the Mi Ami trio root themselves firmly in San Francisco. &#8216;African Rhythms&#8217; was, however, the record I&#8217;d been waiting to hear for [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[442,1613,6],"tags":[61,1605,252,313,378,399,406],"class_list":["post-240","post","type-post","status-publish","format-standard","hentry","category-discontent","category-disorient","category-old-blog-posts","tag-blackeyes","tag-discontent-blog","tag-mi-ami","tag-quarterstick","tag-telepathe","tag-touchandgo","tag-u-s","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=240"}],"version-history":[{"count":2,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/240\/revisions"}],"predecessor-version":[{"id":21529,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/240\/revisions\/21529"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}