{"id":18,"date":"2005-12-11T20:04:32","date_gmt":"2005-12-11T09:04:32","guid":{"rendered":"http:\/\/www.fatplanet.com.au\/blog\/2005\/12\/11\/18\/"},"modified":"2021-01-31T05:13:22","modified_gmt":"2021-01-31T05:13:22","slug":"18-2","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2005\/12\/11\/18-2\/","title":{"rendered":"JAHCOOZI, MONKEYTRIBE, BECK"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" border=\"1\" alt=\"jahcoozi\" id=\"image17\" src=\"http:\/\/www.fatplanet.com.au\/blog\/wp-content\/uploads\/2006\/01\/jahcoozi.jpg\" \/><br \/>\n<strong>JAHCOOZI [GERMANY]<\/strong><br \/>\n<a href=\"http:\/\/www.kitty-yo.net\/mp3\/Jahcoozi_Fish.mp3\">fish<\/a><br \/>\n<a href=\"http:\/\/www.kitty-yo.net\/mp3\/jahcoozi-changingtime_low.mov\">changing    time (movie)<\/a><br \/>\nanother late contender for one of the most original releases of the year, also    this week&#8217;s featured album on the fat planet radio show. jahcoozi first cropped    up in my record bag on an old compilation from <a target=\"_blank\" href=\"http:\/\/www.thewire.co.uk\/\" rel=\"noopener noreferrer\">the    wire<\/a> magazine back in 2003, with the track &#8216;fish&#8217; (mp3 above). on repeated    hearings, the pared-down glitched elctronica made me think this was another    member of the ever-growing and ever-fascinating berlin-based female electronic    artist set. jahcoozi&#8217;s album proves just how wrong i was. great through this    track is, the rest of the album is far more bounce-driven affair &#8211; from twostep    to ragga to crunk to dancehall to deep electro-tech, jahcoozi take on some of    the year&#8217;s emerging styles and appropriate them for their own ends &#8211; an album    of dark polemics that just so happens to make your ass shiver at the same time.    jahcoozi are vocalist sasha perera, robot kock on beats and oren gerlitz on    bass. the fact that sasha perera has roots in sri lanka has opened the comparative    can of worms marked m.i.a., which cuts both ways &#8211; a useful way into the band    for fans of m.i.a. hungry for more in the same vein, but with jahcoozi&#8217;s roots    so deep in electronica, it&#8217;s off the mark in terms of focus and direction. for    more on jahcoozi, check out their label page at <a href=\"http:\/\/www.kitty-yo.net\/index2.php?show=artist&#038;id=42\">kitty-yo<\/a>.<br \/>\n<strong>MONKEYTRIBE [SCOTLAND]<\/strong><br \/>\n<a href=\"http:\/\/www.monkeytribe.net\/mp3\/monkeytribe%20-%20getwiththeprogram.mp3\">get    with the program<\/a><br \/>\n<a href=\"http:\/\/www.monkeytribe.net\/mp3\/monkeytribe%20-%20pullthetriggeronce.mp3\">pull    the trigger once<\/a><br \/>\non a not too dissimilar tip to the above, some long-overdue props to monkeytribe    and mc soom t. if the latter name seems familiar, she cropped up as co-conspirator    on the berlin-based bus album &#8216;middle of the road&#8217; (released on ~scape), and    also in 2003 on t. raumschmiere&#8217;s album &#8216;radio blackout&#8217; album with the track    &#8216;a million brothers&#8217;. since then she&#8217;s been working with the likes of the bug,    the orb and warp&#8217;s dj maxximus, but her core project remains the glasgow-based    collective, monkeytribe. originally born from a love of techno and house, years    later monkeytribe&#8217;s latest releases have taken on a tough ragga-dub-r&#8217;n&#8217;b-electro    style, the perfect foil for soom t&#8217;s flow. with an asian dub foundation remix    in the bag for future release, and a new e.p. &#8216;dark side of the baboon&#8217; due    soon, here&#8217;s hoping that monkeytribe strike out wider and ensure that my home    town is known for more than franz ferdinand and deep-fried pizzas. more info    at <a target=\"_blank\" href=\"http:\/\/www.monkeytribe.net\" rel=\"noopener noreferrer\">monkeytribe.net.<\/a><br \/>\n<strong>BECK [U.S.]<\/strong><br \/>\n<a href=\"http:\/\/www.thefader.com\/blog\/files\/blacktambourine.mp3\">black tambourine    (south rakkas crew remix)<\/a><br \/>\ncompleting the dancehall-ish flavour of this post is this little nugget, courtesy    of <a target=\"_blank\" href=\"http:\/\/www.thefader.com\" rel=\"noopener noreferrer\">the fader<\/a>. when reviewing    this track, <a href=\"http:\/\/www.stylusmagazine.com\">stylus magazine<\/a> quipped    &#8220;a remix of this caliber begs the question: does beck deserve it?&#8221;. of course    there have always been, and will always be, those of us who frown on major artists    appropriating new talent to rejuvenate their career or extend their tentacles    into new fan bases. yet this case in point differs, as the remix can&#8217;t be found    on beck&#8217;s remix album, &#8216;guerolito&#8217; &#8211; it&#8217;s seemingly &#8216;mp3 only&#8217;. why beck chose    not to include this track, remixed by the canadian \/ jamacian trio south rakkas    crew, remains a mystery; as it <em>is<\/em> head and shoulders above some of    the other mixes on there. south rakkas crew are well respected for their recent    rhythms, &#8216;red alert&#8217; and &#8216;bionic ras&#8217;, and with this bump up into the pop canon,    we can expect to see the crew popping up all over the joint for remix duties    in the near future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JAHCOOZI [GERMANY] fish changing time (movie) another late contender for one of the most original releases of the year, also this week&#8217;s featured album on the fat planet radio show. jahcoozi first cropped up in my record bag on an old compilation from the wire magazine back in 2003, with the track &#8216;fish&#8217; (mp3 above). [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[444],"tags":[445],"class_list":["post-18","post","type-post","status-publish","format-standard","hentry","category-fat-planet","tag-fat-planet-blog","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/18\/revisions"}],"predecessor-version":[{"id":15616,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/18\/revisions\/15616"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=18"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}