{"id":150,"date":"2008-12-12T06:38:20","date_gmt":"2008-12-11T19:38:20","guid":{"rendered":"http:\/\/discontentblog.com\/?p=150"},"modified":"2021-01-31T22:48:15","modified_gmt":"2021-01-31T22:48:15","slug":"filastine-btalla","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2008\/12\/12\/filastine-btalla\/","title":{"rendered":"Filastine | B\u2019talla"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/discontentblog.files.wordpress.com\/2008\/12\/filastine11.jpg\" alt=\"filastine1.jpg\" border=\"0\" width=\"400\" height=\"300\" \/><\/p>\n<p>As an itinerant annalist of a melange of sounds from around the world, <strong>Filastine<\/strong> has little or no equal.  From the first moment that he drafted a set of sticks as drummer for Seattle&#8217;s <strong>Tchkung<\/strong>! in 1990s, through his life as rebel leader of the &#8220;tactical mobile rhythmic unit&#8221; <strong>Infernal Noise Brigade<\/strong> through to the 2006 Filastine debut, &#8216;Burn It&#8217; &#8211; Grey Filastine has forgone convention in favour of confrontation.  The collage of sounds, philosophies, ideas and cultures that once again spring to attention in the new full-length &#8216;Dirty Bomb&#8217; come off as an uncompromising, unfettered alternative soundtrack to Life On Earth.<\/p>\n<p>Grey points out that there were no &#8220;canned loops&#8221; or &#8220;mail-order vocals&#8221; &#8211; acoustic instruments and vocals were sourced, discussed, recorded and bound to hard drive in collaborative sessions.  Sweeping through Bucharest, Barcelona, Buenos Aires, Tokyo, Bangladesh, Sydney, Granada and Marrakesh, &#8216;Dirty Bomb&#8217; uniquely treats these original recordings as the source samples that are then dragged mercilessly through layers of processing, and landing somewhere altogether new and hitherto undiscovered. &#8216;B&#8217;atalla&#8217; features <strong>Rabah<\/strong> from French \/ Algerian hip hop crew MBS, who &#8211; on this one track alone &#8211; raps in French, English, Berber, Arabic and Spanish.<\/p>\n<p><strong>Filastine &#8211; B\u2019talla (feat. Rabah)<\/strong> | <a href=\"http:\/\/www.discontentblog.com\/downloads\/B'talla (feat. Rabah).mp3\">mp3<\/a><\/p>\n<p>In collaboration with with DJ\/Rupture&#8217;s Soot records and Post World Industries, &#8216;Dirty Bomb&#8217;  also marks the first release for Australia&#8217;s &#8216;<a href=\"http:\/\/www.uberlingua.com\/\">Uber Lingua<\/a>&#8216; label &#8211; the natural extension of the DJ, VJ, MC and live collective that has been largely responsible for introducing a new vision of contemporary and alternative &#8216;global&#8217; music into the aural culture of the country.  Aus \/ NZ residents can <a href=\"http:\/\/www.zonar.net\/uberlingua\/filastine\/default.htm\">buy &#8216;Dirty Bomb&#8217; now<\/a> from uberlingua.com and can also look forward to <a href=\"http:\/\/www.zonar.net\/uberlingua\/F%26MB\/default.htm\">a Filastine tour<\/a> (including appearances at the <a href=\"http:\/\/sydneyfestival.org.au\/2009\/EVENTS_BY_DATE\/_item\/event\/UBER_LINGUA\">Sydney Festival<\/a>), in tandem with Maga Bo, in January.<\/p>\n<p>Previous Filastine, Infernal Noise Brigade and Tchkung! releases available via <a href=\"http:\/\/www.postworldindustries.com\/index.html\">Post World Industries<\/a>.<\/p>\n<p>Download another track from &#8216;Dirty Bomb&#8217;, &#8216;Fitnah&#8217; (featuring Jessika Skeletalia Kenney) at <a href=\"http:\/\/www.pitchforkmedia.com\/article\/download\/147689-new-music-filastine-ft-jessika-skeletalia-kenney-fitnah-mp3-stream\">Pitchfork<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As an itinerant annalist of a melange of sounds from around the world, Filastine has little or no equal. From the first moment that he drafted a set of sticks as drummer for Seattle&#8217;s Tchkung! in 1990s, through his life as rebel leader of the &#8220;tactical mobile rhythmic unit&#8221; Infernal Noise Brigade through to the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[442,6],"tags":[1605,120,147,198,311,407],"class_list":["post-150","post","type-post","status-publish","format-standard","hentry","category-discontent","category-old-blog-posts","tag-discontent-blog","tag-djrupture","tag-filastine","tag-infernalnoisebrigade","tag-postworldindustries","tag-uberlingua","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":2,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"predecessor-version":[{"id":21543,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/150\/revisions\/21543"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}