{"id":14027,"date":"2019-06-24T05:43:10","date_gmt":"2019-06-23T19:43:10","guid":{"rendered":"http:\/\/stuartbuchanan.com\/?p=14027"},"modified":"2021-01-30T23:09:18","modified_gmt":"2021-01-30T23:09:18","slug":"out-from-under-35-archival-the-1980s-part-i","status":"publish","type":"post","link":"https:\/\/www.stuartbuchanan.com\/archives\/2019\/06\/24\/out-from-under-35-archival-the-1980s-part-i\/","title":{"rendered":"Out From Under #35 – Archival: The 1980s (Part I)"},"content":{"rendered":"

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On this week\u2019s Out From Under, Stu Buchanan visits 1980s Australia; drawing out some of the most interesting experimental music being made across the decade. <\/span><\/p>\n

We hear from a cross-section of experimental and underground artists; including those whose lights shone brightly in Australia but not far beyond, such as Laughing Hands<\/strong>, Essendon Airport<\/strong> and Browning Mummery,<\/strong> as well as artists that achieved recognition on an international scale including Severed Heads<\/strong> and Dead Can Dance<\/strong>. We also hear music by Ian Hartley<\/strong>, Warren Burt<\/strong> and composer Sarah Hopkins<\/strong>, who – 35 years later – would go on to collaborate with Bjork<\/strong> on her \u2018Utopia\u2019 album.<\/span><\/p>\n

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Originally broadcast on Resonance Extra,<\/a> 23rd June 2019.<\/em><\/p>\n

Out From Under<\/strong> is a weekly radio program and podcast, diving deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the upside down. New episodes air every Sunday 6pm AEST on Resonance Extra<\/strong>.  extra.resonance.fm<\/a><\/p>\n

Podcasts are published the day after transmission – listen and subscribe on iTunes<\/a> or wherever you get your podcasts.<\/p>\n

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