\n[otw_shortcode_button href=”https:\/\/provenance.bandcamp.com\/” size=”medium” bgcolor=”#000000″ shape=”square” target=”_blank”]Stream \/ Download.[\/otw_shortcode_button]
\n <\/p>\n
Notes.<\/strong> Tracklisting.<\/strong> Credits.<\/strong> Catalogue.<\/strong> PR002<\/p>\n","protected":false},"excerpt":{"rendered":" Provenance nudges Paneye gently in the light with the release of his sixth full length, \u2018Desertism\u2019.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[456],"tags":[1610],"class_list":["post-12050","post","type-post","status-publish","format-standard","hentry","category-provenance","tag-stuartbuchanan-blog","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/12050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=12050"}],"version-history":[{"count":2,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/12050\/revisions"}],"predecessor-version":[{"id":15340,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/12050\/revisions\/15340"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=12050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=12050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=12050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPaneye<\/strong> is Sydney-born and Dubai-based artist Will Treffry. Not that you would know it. Paneye has been making music on the outside for several years, self-releasing five lengthy albums of material direct from his own web site \u2013 a micro world inhabited by people that Paneye calls \u2018The Butter People\u2019.\u00a0 He is beloved by small, personal music blogs \u2013 writers who, like Paneye, exist in the shadows, on the fringe, and find solace and connection in his works.
\nUnbeknown to the world at large, Paneye has also racked up over 150,000 streams and downloads on the Free Music Archive<\/em>; predominantly for his 27-track 2010 opus \u2018Lost In A Dark Aquarium\u2019 \u2013 co-released by New Weird Australia<\/em> and Brooklyn\u2019s Orchid Tapes<\/em>, home to Balam Acab<\/strong> and Alex G<\/strong>. He has also released a further three albums in collaboration with Jasper Rice under the banner of Bristles On The Carapace<\/strong>.
\nProvenance nudges Paneye gently in the light with the release of his sixth full length, \u2018Desertism<\/em>\u2019. Recorded entirely in Dubai, the album represents an evolution of his work from lo-fi ambient constructions to a more structured song-based psych-folk approach, whilst retaining his customary dream-like shroud\u00a0 \u2013 bringing his own voice to the fore and recruiting secondary vocals from a conspirator known only as Khat.
\n\u2018Desertism<\/em>\u2019 may well be a tentative step out of the shadows, and it often plays like a reconnaissance mission to another world \u2013 either way, it\u2019s a bewitching, original work that represents the legion of outsider artists who resolutely follow a singular path, and end up at a beautiful place quite unlike any other.
\n\u201cWhat\u2019s showcased here is nothing short of what I was hoping for: a blending of acoustics, ambient and lo-fi all stirred smoothly together \u2026 with each Paneye release, the sound and style matures and evolves \u2026 stunning to hear\u201d<\/em> Tuning Into The Obscure<\/p>\n
\n
\n1. Desertism
\n2. Eyelid Temples
\n3. I Stumbled Upon Her Ruins
\n4. Decayed Windforms
\n5. Watched By Every Gloom
\n6. Passports To Overcast Islands
\n7. Visited By Murky Windings
\n8. Disfigured Fortune
\n9. Calm Eternity
\n10. Heed The Cycling Idleness
\n11. Empty Boats And The Vortex
\n12. Fragile Awe<\/p>\n
\n
\nRecorded at Jumeirah Lakes Towers, Dubai in 2015.
\nArt, music, words, vocals by Will Treffry. Second vocalist is Khat.<\/p>\n
\n