\nThe final original entry in the New Weird Australia compilation series.
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\n <\/p>\n
Sleeve Notes:<\/strong> Tracklisting:<\/strong> The final original entry in the New Weird Australia compilation series.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[451],"tags":[1610],"class_list":["post-11155","post","type-post","status-publish","format-standard","hentry","category-new-weird-australia","tag-stuartbuchanan-blog","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/11155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/comments?post=11155"}],"version-history":[{"count":1,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/11155\/revisions"}],"predecessor-version":[{"id":15457,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/posts\/11155\/revisions\/15457"}],"wp:attachment":[{"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/media?parent=11155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/categories?post=11155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stuartbuchanan.com\/archives\/wp-json\/wp\/v2\/tags?post=11155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nCompiled by Innez Tulloch.<\/em>
\nRural, Regional & Remote, the second New Weird Australia compilation release of 2014, exhibits the sounds of Australia outside the metropolitan and into the \u2018other\u2019. The ten tracks explore and expose the diversity of Australian experimental composers from regional areas. From jutted, hyper jazz to soothing swirls mixed into the dynamism of traditional didgeridoo, the listener is treated to an aural sojourn.
\nThe result of a call out by New Weird Australia in mid 2013, Rural, Regional & Remote highlights the diverse sounds from the outback, rainforest, desert and in between
\nRural, Regional & Remote exposes the vastness and strangeness of the outer Australian sounds. An auditory exploration traversing from Mount Gambier to Wagga Wagga, the compilation transforms almost as quickly as the Australian landscape. From Time to Die by Generations, a glitched out hip hop, garage crossover; to Howling Cloud\u2019s Spirt of the Sclerophyll, a soft, psychedelic mantra to the natural history of the land; to the abrasive, metallic distortion of Host\u2019s Active Resistance; Rural, Regional & Remote offers insight into the array of sounds created from the outer Australia.<\/p>\n
\n
\n1. Generations \u2013 Time To Die (03:11) (previously unreleased)<\/em>
\n2. Skipism \u2013 Monday At The Outpost (04:51) (previously unreleased)<\/em>
\n3. Bassling \u2013 Having a Barney (02:44) (previously unreleased)<\/em>
\n4. Host \u2013 Active Resistance\u00a0(07:14) (from Active Resistance, self released)<\/em>
\n5. Tralala Blip \u2013 Nowy (06:18)\u00a0(previously unreleased)<\/em>
\n6. Howling Cloud \u2013 Spirits of Sclerophyll (07:39)\u00a0(previously unreleased)<\/em>
\n7. Embers Lucent \u2013 Ediacara (05:49)\u00a0(previously unreleased)<\/em>
\n8. Basil\u2019s Kite \u2013 Technicolour Fuckfest (02:38) (from Technicolour Fuckfest, self released)<\/em>
\n9. Brad Harkan \u2013 Ellipsis\u00a0(05:19)\u00a0(previously unreleased)<\/em>
\n10. Paul Fletcher \u2013 Returning To The Surface (07:00) (previously unreleased)<\/em>
\nDesign by\u00a0Thomas Roche \u2013\u00a0thomasroche.com.au<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"