Grant Hunter’s cover artwork for the free download compilation, New Weird Australia Volume Two – featuring our country’s endearing emblematic marsupial with black claw outstretched and a murderous fleck in his eye – perfectly illustrates the ‘Jekyll & Hyde’ binary of the Australian story.
On one side, the world is sold on paradisal visions of Australian reefs and plains, care-free surfers racing down golden sands, and the classic long-shot of a sun-blemished Uluru. On the flip, with just as much fervour, we mythologise and peddle stories of perpetual gangland warfare, malevolent outback serial killers and dingoes eating babies for their morning snack.
If only the same warped duality could be brought to bear on the world’s vision of our musical worth. The exported track record is however largely one-sided – our place as the shiny, electro party-starter of the Southern Hemisphere is unrivalled, along with a seemingly endless passion for rock, culled from a 40-year old tombstone. Ask the world to identify a prominent Australian undercurrent and they will remain largely tight-lipped. Hence New Weird Australia – a project aimed as much at curating a contemporary library of alt-Australiana, as promoting that collection to the rest of the globe.
For Volume Two, we once again represent a strong geographic diversity with music from Tasmania, Western Australia, Queensland, Victoria, South Australia and New South Wales. We embody genre diversity from 21-year-oldWilliam Gardiner’s neo-classical work to the sprawling sample ephemera spread by Newcastle’s Cock Safari; from Maddest Kings Alive’s shoegaze chip-tunes to a seemingly perfect drift plain soundtrack, hewn by Solo Andata’sPaul Fiocco. There are also multiple exclusives from Kharkov, Lucia Draft, Mieli, No Art, Karoshi, Transmissions and Jason (Pretty Boy Crossover) Sweeney’s Panoptique Electrical project, and new work from Broken Chip, Ghoul, Oceans, Sam Price and Splendid Friends.
In mapping and redefining the local terrain, New Weird Australia represents a new breed of Australian musicians that cast an essential shadow over Australia’s sunny disposition.
(cross-posted from newweirdaustralia.com)
New Weird Australia Volume Two, September 2009, NWA002
DOWNLOAD ZIP FILE (AUDIO & ARTWORK):
Standard Quality, 192 kbps (103MB)
Higher Quality, 320kbps (159MB, via Rapidshare)
1. OCEANS, 02 + 03 (5:11) From ‘album’
2. GHOUL, Swimming Pool (Remix) (3:04) From ’Swimming Pool’
3. WILLIAM GARDINER, Sonance Arboreal (4:39) Previously unreleased
4. SAM PRICE, AutoHackney (5:28) From ‘Rand’
5. BROKEN CHIP, Summer Stars (5:06) From ‘POWWOW Seven’
6. KHARKOV, Crustacean (3:12) Previously unreleased
7. COCK SAFARI, 8MH (6:36) Previously unreleased
8. LUCIA DRAFT, Not Interested (1:16) Previously unreleased
9. MIELI, Hometime (3:34) Previously unreleased
10. KAROSHI, Re-Animate Me (2:44) Previously unreleased
11. NO ART, Fight In The Nocturnal House (3:56) Previously unreleased
12. TRANSMISSIONS, Staring At Lightning Strikes, Catching Every One (2:45) Previously unreleased
13. PANOPTIQUE ELECTRICAL, We Was Them (7:32) Previously unreleased
14. MADDEST KINGS ALIVE, Measels (4:05) Previously unreleased
15. SPLENDID FRIENDS, Holy Shears (1:42) From ‘Summer Moon Illusion’
16. PAUL FIOCCO, Torsions and Drifts (13:34) From ‘Torsions And Drifts’
Compiled by Stuart Buchanan & Danny Jumpertz
Artwork by Grant Hunter, granthunter.daportfolio.com
Click artist title for background information and links.
All music donated by the artists for use in this compilation only, all rights reserved.
New Weird Australia is a not-for-profit initiative established to promote eclectic and experimental Australian music. Free compilations are available to download every two months from www.newweirdaustralia.com. Contributions from Australian musicians and designers are welcomed and encouraged – submission details and terms can be found on the ‘New Weird Australia’ site.